BABIES s/t

What happens when Cassie Ramone (The Vivian Girls) and Kevin Morby (Woods) take a break from their acclaimed projects? They make Babies – and it’s a beautiful rosy cheeked love child of sound. Just after Valentines Day The Babies released their self titled full length on Shrimper, and since then it has been a favorite rotating on my turn table. The record flows from hit to hit with lo-fi catchy gems perfect for the coming summer. If you like garagey boy/girl vocals it will be hard to ween you off The Babies. It’s no surprise that opening track “Run Me Over” has been deemed an unofficial single of the album. The track starts slowly with a surfy guitar before breaking into a propelling garage rock jam, setting you up for a collection of nicely crafted pop tunes. Over all, The Babies sound is easy to digest and isn’t to be taken too serious. After all, the band was formed to be a fun side project and the songs have a timeless quality. “Breakin’ The Law” will make you flash back to the moments when you met your first partner in crime. Mid album Babies go on to channel the Velvet Underground in campfire sing-a-long “Voice Like Thunder” while “Meet Me In The City” showcases Morby’s raw vocal quality that is similar to a young (un-jaded) Frank Black. The tail end of the album is more artistic and jam oriented with tracks “Wild I” and “Wild 2” where Ramone and Morby each tell their own perspective of the demise of romance. “Caroline” serves as the perfect closer to the album, beginning with a drawn out instrumental where the guitar carries the melody until the buildup is too much to bear and the band explodes into one last hurrah of up tempo hollers and shouts. While the Babies was formed to be a fun side project for Ramone/Morby to return to simpler times and smaller audiences, this record is too hot to keep them cooped up for long.

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